Prayer for today ~ Desert Song

This week at the Origin worship gathering Alex introduced what was a new song for some.
It reminded me of the text we would use for our prayer time on Tuesday morning:
“For the enemy has pursued my soul; he has crushed my life to the ground;
he has made me sit in darkness like those long dead.  Therefore my spirit faints within me; my heart within me is appalled.
I remember the days of old; I meditate on all that you have done;
I ponder the work of your hands.
I stretch out my hands to you;
my soul thirsts for you like a parched land.”
Psalm 143:3-6
Here’s the text and a link to the song.
“Desert Song”

[Verse 1:]
This is my prayer in the desert
When all that’s within me feels dry
This is my prayer in my hunger and need
My God is the God who provides[Verse 2:]
And this is my prayer in the fire
In weakness or trial or pain
There is a faith proved
Of more worth than gold
So refine me, Lord, through the flame

[Chorus:]
And I will bring praise
I will bring praise
No weapon formed against me shall remain
I will rejoice
I will declare
God is my victory and He is here

[Verse 3:]
And this is my prayer in the battle
When triumph is still on its way
I am a conqueror and co-heir with Christ
So firm on His promise I’ll stand

[Chorus:]
And I will bring praise
I will bring praise
No weapon formed against me shall remain
I will rejoice
I will declare
God is my victory and He is here

[Bridge 4x:]
All of my life
In every season
You are still God
I have a reason to sing
I have a reason to worship

[Chorus 2x:]
And I will bring praise
I will bring praise
No weapon formed against me shall remain
I will rejoice
I will declare
God is my victory and He is here

[Verse 4:]
This is my prayer in the harvest
When favor and providence flow
I know I’m filled to be emptied again
The seed I’ve received I will sow

“Our people, our songs.”

Just read a review of an interesting book for pastors, worship leaders, and community developers trying to sort out the common lingua questions of music in worship.  Gerardo Marti busts some of our assumptions about community connectedness and music.

Emerson notes that we often assume everybody has to have “their kind” of music to feel like they are a part of the community.

What does this have to do with the problem of the musical-buffet style? Marti finds that this style actually “essentializes” racial groups and draws on narrow stereotypes. Want white people in your church?  Play Vineyard, contemporary Christian music (or for the older crowd, play European-origin hymns). Want black people in your church?  Play gospel music. Want Hispanics in your church?  Play salsa music. Want Asians in your church?  Play, ah . . . well, play white music.

The end result? Instead of bringing people together and transcending racial boundaries, this approach reinforces boundaries—boundaries built on gross, oversimplified stereotypes. It unwittingly even assumes that somehow we have inborn preferences for certain styles of music, rather than tendencies to prefer the type of music we most often hear those around us enjoying. Fact is, musical preferences are learned.

So what did Marti discover?  I love this statement:  “what matters is the network of relationships.”

What “succeeds” musically in multiracial churches is not a certain type of music or how well it is performed. Rather, it is: (a) people of various backgrounds all practicing together, spending time together, singing together, worshiping together; and (b) the fact that it is “our choir, our people.”

To get downright sociological, it is the transcendent experience in which worship becomes at the same time a celebration of the group itself and of God who has brought the group together. At its essence, then, what matters is the network of relationships of the people in the congregation, not the type or even the quality of the music.

What matters is “the network of relationships.”

Read the whole review of Worship Across the Racial Divide: Religious Music and the Multiracial Congregation.

JoyLeaks at Christmas

Leaks seem to be hated recently.  And I agree.  When our kids were smaller I hated diaper leaks and now a leak in the roof will keep me awake at night for days.  However, as governments around the world respond to wikileaks I have been reflecting on the greatest leak ever.  In Luke 2:9-20 God leaked the secret of Jesus’ birth and broadcast it to shepherds working the night shift.  Up until that moment of revelation Jesus’ birth was Mary and Joseph’s private experience.  But God would not keep this joy to Himself.  This is how joy works.  It leaks into our lives and sometimes floods, but most often leaks.

I think there are plenty of reasons why joy is not our normative experience.  For one, we are incredibly suspicious of publicly joyful people.  Second, we are inhabited with joy killers who roam about like Rowling’s dementors ready to suck the happiness out of us: boredom, envy, and self-righteousness come to mind.  And third, life is tough as we live in a Narnia-like state of suspended winter:  “Always winter, never Christmas.”  We need joy to leak into our lives and our public experience.

I imagine it was another mundane night of watching sheep until Heaven leaked “good news great joy” all over those shepherds.  It was God’s happy dance.  Joy has roots in the details and the reality of Jesus’ birth.  Unto us a child is born!  Heaven shouts, “Glory to God in the highest and on earth peace to men on whom his favor rests.”

The shepherds show us how joy might leak more regularly into our lives.  They investigated Jesus and got close to Him.  So it is with us when we daily ascribe to Jesus the greatest worth and value in our lives, when we respond to the good news of the Gospel that God loves us, joy emerges.

I love the line in verse 20, “The Shepherds returned…”  They returned to their jobs, their lives, their responsibilities…but they were not the same.  They returned “glorifying and praising God for all the things they had heard and seen, which were just as they had been told.”  Sounds like joy.

Here is a joyleak to enjoy:

heard at Cityview this past weekend

I really appreciate the leadership that Lalpi gives to the congregation at Cityview for our worship of the Triune God.  Yesterday the service was a tight weave that created a picture and an experience of the extraordinary grace of Jesus.  I was so blessed by how Dan and Lalpi presented East to West by Casting Crowns.  A stillness descended on the congregation as we contemplated Jesus’ forgiveness!  Thanks Lalpi and thanks Dan.  If you want to reflect again on Jesus’ forgiveness of our sin you can watch the video below.

seen at Cityview this weekend

Here is the video we showed Sunday morning before the service set to Toby Mac’s song Lose My Soul.  The song is based off Jesus teaching on following Him found in Luke 9:23-27.  Specifically verse 25:  “What good is it for a man to gain the whole world, and yet lose or forfeit his very sefl?”  What a big difference from the message my kids sang at the table last week, “Baby you can have whatever you want!”